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Michael Doughlas

Michael Douglas returns to low-budget roots 

LOS ANGELES (Hollywood Reporter) - Michael Douglas returns to theaters on Friday in First Look Studios' limited release "King of California." He plays Charlie, the bipolar father to Evan Rachel Wood's Miranda, who decides that a hidden cache of gold is buried under a Costco.THE HOLLYWOOD REPORTER: (WITH A BUDGET OF $5 MILLION TO $8

MILLION), "KING OF CALIFORNIA" WAS MADE FOR ROUGHLY THE

EQUIVALENT OF WHAT YOU EARNED FOR 2000'S "TRAFFIC." SO WHAT WAS

THAT LIKE, WORKING ON AN SMALL-BUDGET INDIE, FOR YOU?

MICHAEL DOUGLAS: I'm originally out of television. I did "(The) Streets of San Francisco" (1972-77), so we were on location six days a week. You basically shot a 52-minute movie in seven days. So I have that background, and in a lot of ways a tighter budget, a tighter schedule, frees you up because you have to go back to trusting your instincts.

Having said that, as a producer and when I'm acting I always take a few days with the director before we shoot and walk through the picture together so that we're all on the same path. On a schedule like this -- or even most pictures -- a director has so much to do there's not a lot of time for discussion; so I try to get all of that resolved beforehand, try and figure out what the highs and lows are and what the pace is going to be and then it takes on a life of its own.

THE HOLLYWOOD REPORTER: HOW CALCULATING ARE YOU IN TERMS OF

SELECTING PROJECTS?

DOUGLAS: Not too much. It's all emotional for me -- it's reading initially and being moved. Then I analyze the structure and see if I can close my eyes and picture the movie, make sure I wasn't seduced by the written words. And then I'm pretty clinical about it. I'm getting more savvy in my old age about who I'm working with; I certainly understand more and more (that actors and directors) working together again and again saves so much small talk. I do my homework about the people involved; I don't like conflict.

THE HOLLYWOOD REPORTER: YOU HAVE A FACILITY FOR BOTH COMEDY

AND DRAMA. AT HEART, WHICH DO YOU PREFER?

DOUGLAS: Drama is always easiest -- that's why we cherish our friends who are funny. I never understood why our comedians are not acknowledged -- especially at Oscar time. I love the opportunity when I can do these tragicomedies or mixed films. I love pictures like that in general that are unpredictable -- "War of the Roses" (1989), "Romancing the Stone" (1984) kinds of action thrillers that have some humor, and I'm proud of the fact that you can go from one genre to the other, but it's not one that comes naturally to me.

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